Ernesto Estévez García did not arrive at hyperrealism through theory. He arrived there through memory. His first encounter with painting was not in an academy but at home, watching his mother paint simply because she loved it. There was no grand ambition attached to it. Just colour, time and quiet devotion. That intimacy shaped him long before he chose landscape as his language. As a young man, Ernesto spent hours exploring caves and remote corners of Cuba’s terrain. These we

In the vibrant tapestry of Havana's urban landscape, one name stands out as a beacon of creativity and cultural expression: Mr. MYL. Born...